Like vs. Love

May 18, 2013

There’s a lot of music I like. But not a lot of music I love.

We’re in a Like culture right now; everyone’s focused on being liked, not loved. Big mistake.

Being liked is fine for high school jocks. But in the real world, especially in the business
world – it doesn’t translate into anything useful. Certainly not into money.

I’m only one music fan/consumer, but for what it’s worth – here’s my behaviour & consumption pattern when it comes to music & those who market their music toward me. Some musicians may want to consider this the next time they beg people to like them for the millionth time.

When I like someone’s music:

-       I may buy one song. Maybe. There’s about a 10% chance.

-       But most likely I’ll stream it for free a few times, and then I’ll have moved on to something else.

-       If I happen to be at the live show, I’ll say ‘that was cool.’ Then I go home & go to sleep.

-       The next day, I’ve already forgotten about the show. I’m listening to an old favourite on my iphone while I go get a latte.

When I LOVE someone’s music:

♥     I’ll gladly pay for it, because it brings value to my life.

♥     I’ll put a song on repeat & play it all weekend, over & over. I am not joking. I can’t get enough of something I love.

♥     I’ll scrounge up the $$ and go out on a Tuesday night in the rain for what I love.

♥     I’ll share it with others. I love it too much to keep it to myself!

♥    I don’t get distracted easily from what I love. I’ll stay loyal for a good long time.

♥    I’ll go out of my way for what I love.

Artists have to understand – if you want to build a loyal (and paying) fanbase and want to be compensated for your art, there’s only one way to achieve that these days. We can’t rely on the scarcity model of the 80’s & 90’s. Distribution of music will never be scarce again; the clock will not tick backward. It’s Love & Money. Like has no significance. And neither does the musician who relies on it.

 

{ Comments on this entry are closed }

Hometown

May 12, 2013

I’ve been having a lovely few weeks hanging out in my hometown – and no visit is complete without seeing the LUCKY JUKEBOX BRIGADE. They are the most genuine, entertaining and down-to-earth musicians in town and were the first-ever band interview featured on Music Inkorporated, which you can read here. Here are some pics taken just last evening:

ply-deanna2

ply-drummer

ply-tuba

ply-deanna5

ply-brass

pl-deanna

ply-pink

ply-tuba2

ply-sign2

ply-street

ply-pauly

all photos: Gina Ree

{ Comments on this entry are closed }

When the Night Comes

May 3, 2013

owlberry2

Say what you will about the music biz – it may not be the most lucrative around, but it’s one of the few industries that’s ever catered to night owls.

As most of us nocturnes know all too well – morning people continue to set the tone, insisting the rest of us bend our lives to their schedule. And to top it off, they’re usually self-righteous about it.

The same people who think it’s ok to force us to be at work by 8am would file a human rights complaint if they ever had to work past 6pm.

It’s an agrarian mindset. Yet it continues to pervade modern, industrialized life. Why are we continuing to behave as if we haven’t had electricity for over 130 YEARS?? We no longer need to rise with the sun. That’s what all those IKEA lamps are for.

In a perfect world, we’d all be allowed to live on the terms that suit us best. In that world, everyone would benefit.

But still. If night owls were to inherit the earth, the condition of this planet would improve overnight. Why?

Because IN GENERAL, I have found that….

Night owls are more compassionate people.

Night owls are more CREATIVE people.

Night owls are more intriguing & well-rounded.

Night owls are more likely to go against the grain & change things that need changing.

Night owls are incredible observers. Just like real owls – they’re always watching. They have incredible insights.

Most night owls rent & don’t own. This means they engage in activities other than complaining about the price of lawnmowers & homeowners insurance.

Night owls are less consumerist & so by default more interesting. The mall is closed. We have to think of other & better ways to occupy our time. So we do.

Real, actual owls only come out at night and remain a symbol of strength, mystery & wisdom. ‘Early birds’ remain a symbol for…catching worms. Enough said.

 

{ Comments on this entry are closed }

He’ll Be Back for More

April 23, 2013

* This was originally published last year; of all the things I’ve written on this site to date, I’m most proud of this one. Some other sites have picked up this post & I’ve gotten emails from as far away as the UK & Europe, thanking me for articulating this subject in a new way. The idea that anything I write here has spread so far & helped anyone on such a level is more than I could ever have imagined. Please do share & pass this one on, publicly or privately, & as always thanks for reading.*

It’s a confusing disease all around.

It’s different from grief or anxiety or any other feeling. And at the end of the day, no one really knows what to make of it.

It’s easy to see why the idea of demons persisted for so long. And the truth is – there are some grains of accuracy to this.

Depression is an unwelcome but very charismatic phantom. He shows up uninvited, wanting to lure you away. He promises indulgence. He promises a dark land of nothing, where there’s no need to fight anything anymore. No need to try anymore or feel anymore. You know you want to come with me, he smiles, as he closes in.

Sometimes he comes around when the ground is already fertile. But mostly he appears at random. He doesn’t care. He’ll show up when you’re home doing the laundry, or while you’re picking out oranges at the grocery store. There’s no warning or pleasantries. All of a sudden you look up – and there he is.

And there I am. And I don’t want oranges anymore. But I keep putting them in the basket, acting like I don’t see him. I have to walk around him, walk thru him. Because if I stop and look him in the eyes, I will go with him. And once I go with him, I’ll be with him and nowhere else.

I used to beg him to leave. Hoped somehow he’d take pity on me and leave me alone. But that’s the thing about this phantom. No matter what you say, he’ll be back for more.

You can’t will him away. It’s like having the flu; you can take your vitamins and drink your tea to move it along, but it leaves when it’s good and ready. This phantom is no different.

Sometimes he disappears for a while, and I think maybe I’ve fought him hard enough – maybe finally I won, and he won’t come back. But deep down I know this isn’t true. He’ll be back.

There are times when I just don’t have any more fight in me; I can feel him winning, his grip on me tightening. I curse him, as he has cursed me.

He follows more of us than it seems. To different degrees and in different ways – but he follows more of us than it seems.

Yet in spite of him, I have a life. I am functioning and healthy. I’m able to have good relationships, contribute to society, create great things. When he’s not near me I am happy. I am grateful for this life.

I don’t have the answer as to how to speed up his departure. Regardless of what the doctors & drug companies push, most of us know that pills only blur him. Just because he now looks fuzzy doesn’t mean he’s not there.

Just like side-stepping him doesn’t mean he’s not there. So sometimes I do the only thing I can think to do. I side-step Me. I step into worlds that go beyond me. I turn to music or books or art to bring me somewhere else, to a time and place and world not my own. I listen to someone else. I create something that someone other than me might find pleasant or useful. I step outside myself for a while.

And oddly enough, the less time I spend thinking of me, the less he seems to as well.

 

{ Comments on this entry are closed }

lightcogroup

Ok, so you’re about to release your EP The Boy Who Sat On Ocean Floors very shortly… I myself am eager to hear it. What has you guys most excited in releasing these songs?

(Michael)  Well, there’s a lot to be excited about! We’re excited for people to hear the album that we’ve put so much time, money and effort into. We’ve been perfecting these songs for many years now – many of them were in their beginnings before Light Company was even a band.

We’re also really excited to be able to say ‘Hey, this is our EP – this is what we sound like.’ For the first two years all we had were live videos and really terrible basement recordings to represent our material. Now that we’ve finally put a proper EP together we have something to be proud of when we’re sharing it with our fans, friends and family.

When I was at one of your recent shows, it had been a while since I’d been around post-rock music; I had forgotten the power it holds. All music has power, but there’s a particular strength in this style. What drew you to play this kind of music?

(Michael) Post-rock changed our lives. And yes, you’re absolutely right – it has a power that’s so immense compared to other genres. The songs are a journey; they have a beginning, middle and end, much like a story – and we write around that structure. A lot of our music is inspired by literature and the best way we can express that is through post-rock. A song can be completely still one second and then all of the sudden dissipate into absolute chaos. So it allows us to put all of our energy into our stage performances – we’d never want to be caught standing still for an entire set.

(Lukas) Personally, my taste in music gravitates toward the aggressive & abrasive. That being said, my musical training was entirely classical. So post-rock serves as a perfect median between the two worlds – it allows me to explore everything I love and know about music.

I love how you say the music is inspired so much by literature – words, which most people wouldn’t link to this style of music. It just shows how connected art & emotion are.  Are there particular challenges in being an up & coming post-rock band, or do you think it’s the same challenges for any band despite their genre?

(Michael) Wow, good question! I think every up & coming band has its challenges, but I do believe that post-rock bands have quite a hill to climb. Being a genre not generally including lyrics or vocals – it’s hard to forge a connection with an audience accustomed to singing along to their favourite songs. That being said, we include vocals in our music for that very reason. No disrespect intended, but a lot of our favourite post-rock bands have released 3 records yet still only manage to attract a crowd of 20 people at some gigs, so we’d like to bring post-rock to a larger audience by combining elements of the many genres that inspire us. We hope to do that.

What do you think are the factors that made more well-known post-rock bands (like Explosions in the Sky) able to break thru to those larger audiences? What do you think those bands possessed that took them over that line – was it luck or was it something else?

(Michael) Another amazing question…I think in the case of Explosions in the Sky, they can be considered pioneers of the genre, so I believe they were successful because people hadn’t heard such a sound before. Obviously luck has a lot to do with it, but you can’t discredit the fact that they are genuine, honest musicians & people – we learn a lot from them.

Besides literature, what other influences do you have (musically or otherwise) that your fans might be surprised by?

(Lukas) Metal, specifically hardcore. Our music may not reflect that directly, but bands like Every Time I Die, The Chariot and Pianos Become the Teeth inspire me to pick up the guitar and write in the first place.

(Michael) Being in four different cities also lends itself to our diverse inspiration… Montreal, Toronto, Peterborough and Ennismore each have their own aura & personality, and we feed off of that directly. Each city brings a different energy, and we combine those as best as we can.

What do you think is the key to building up a fanbase & capturing people’s interest in a time where we have so much to sift thru and so many distractions?

(Michael) Honestly, I think the key is just being genuine and never giving up, as cliché as it sounds. We try and be the best people we can be day to day, and we hope that our music reflects that. Of course you have to be on top of every social media platform that exists, but like you said that can get overwhelming and distracting. Music means the world to us. We appreciate everyone who cares about us, and we’re willing to dedicate our lives to this. Being a post-rock/alternative band, we understand the hill that we have to climb.

I think that’s a really great answer, because often it’s the simple things that get overlooked, but actually go the furthest. So last question – what is the best thing about being a musician?

(Lukas) I get to hang out with my best friends, travel the country, meet other wonderful musicians, play in front of crowds who groove to what I do – and I get to call that a job!

(Michael) My answer exactly. And getting to meet all kinds of people, such as yourself!

That’s what’s I love best about my job too! Guys, thanks so much for taking the time to chat with me tonight – we’ll see you real soon.

Our pleasure. Thank you so much! 

lightcoart3

LIGHT COMPANY release their EP The Boy Who Sat on Ocean Floors – April 16, 2013

photos: Gina Ree

{ Comments on this entry are closed }

A lot of times the songs that mean the most to us are ones that most people don’t know…so what’s your favourite song we’ve never heard of??

GR (Ringmaster, Music Ink)
HOSPITAL BED – Seabear
It’s the violin that makes this song for me, especially toward the end. My favourite instrument, and reminds me of my dear friend Karolyne LaFortune (see below). I love this song because it gives me a glimpse into a part of life outside myself…for some reason I associate this song with forgiveness, an emotion I’ve never been able to experience. But this is what I imagine that emotion to sound like.

Isavella (Vice-Ringmaster, Music Ink) 
LOVE ON DEPRESSION STREET – Clay Allison
I found this band through its name’s association with the ‘90s Paisley Underground band Opal, who were once named Clay Allison. I started listening, and it was clear that this was not the same band…I searched and searched, but it took me a while to find any info on this Clay Allison. A now-defunct Swedish band, their album Love on Depression Street is sparsely beautiful and haunting as hell. A classic shoegazer, the title track strikes a balance between summer and winter, sadness and the perfect kiss-off. RIP my mysterious little Scandinavian band; you should have been more popular.

Karolyne LaFortune (violinist)
CREEPSTER -  Bella’s Bartok
I love this song because it makes me want to dance & party, it puts me in a great mood, I can sing along to it, it’s fast and has all sorts of instruments. It has a happy feel to it but the lyrics seem a bit darker, which allow me to picture different things in my mind. Everyone can listen to it and imagine something different.

Deanna DeLuke (Lucky Jukebox Brigade)
WET – Sean Rowe
The first time I heard this song was in late 2010, sitting in my bassist’s car driving to one of our first band practices during one of the first snowstorms of the winter. After the song and our drive were over, all I wanted to do was stay in that moment and listen to ‘Wet’ on repeat all night.

Back then, Sean Rowe was a favorite in the Albany area but still an unsigned local musician. He came from Troy, had been playing music in the area for years, working hard, building a loyal fanbase and never giving up.  I saw him play at an art gallery in Albany and I was blown away…I’ve never encountered a performer who can capture so much emotion and sincerety with just his voice and a guitar.

A few weeks ago, I watched on TV as he performed on Jimmy Kimmel Live to an audience of thousands.  He is now signed to Anti Records and is making a name for himself all across the country. But he always returns to play a show in Albany at the end of every tour, staying true to his roots. I can speak for everyone back home when I say that we are so proud of him.  He is a true local hero; his songs and success are a testament of hope to the rest of us.

Maxim Cossette (The Sick Sick Sicks)
FOR YOU – Sharon Van Etten
The power of this song is clear within the first 15 seconds…Sharon’s voice kicks in, joined with a low harmony, and I feel instantly drawn into her world.

Her warbly voice perfectly matches the subject matter of being honest to the point of vulnerability. The lyrics are compelling in their simplicity, it feels like everything that’s mentioned is true. She creates an environment that usually only exists when long-term lovers are able to share something deep. A great piece of art all around that I often return to.

Chris A (production designer)
CEMETARY – Silverchair
One of their more obscure songs, my lady put on ‘Cemetary’ in the car one winter night, and in the weeks after I found that I kept going back to it. It’s the acoustic live version in particular I’m talking about, the studio track holds none of the same power, as is often the case. But this song maybe it’s just because it always reminds me of her, but there’s something about it. It’s not a particularly deep or extraordinary or even catchy song, but I don’t know, there’s something about it.

Constant Witness (blogger/Change Is A Sound)
BULLS ON PARADE – Rage Against the Machine
Yep it’s sad but true. A good number of youngins have never heard this song.
Remember the ill-fated wave of ‘rap-metal’ bands that infested the mid- to late-’90s? Korn, Limp Bizkit and a slew of others, but the one band above all others to singlehandedly legitimize the melding of hip-hop & hard rock was RAGE AGAINST THE MACHINE.

Roaring out of Los Angeles in 1992, Rage were an incendiary crossover of the different sonic planets of Public Enemy and Pantera; an unequivocal grenade of a band focused on the lack of justice in the world, social equality and the incompetence/outright malice of corrupt corporations and governments.

‘Bulls On Parade,’ in all its political fury, remains the band’s signature song; Rage Against the Machine released their third and final album in 1999; they reunited for a few shows a decade later, but no new music – sadly – is on the horizon.

 

{ Comments on this entry are closed }

Sex, Booze, Rock&Roll

March 29, 2013

I got to photograph my fave burlesque troupe Bourbon & Spice multiple times this past month and it was a blast. On stage + behind the scenes, here are pics:

collage

bb13

BSchasecu

bb8

bb2

bb15

BSchatting

BSsetlist

me + the ladies ♥

{ Comments on this entry are closed }

Apathy’s Last Kiss

March 17, 2013

scorpio666

I’m a Scorpio & an all-or-nothing type of person, so I’m always surprised by how many people don’t have a favourite band or musician.

It’s hard for me to comprehend, because I’ve had a favourite band since I was 14 years old. It’s never changed & never will.

I like music of all sorts, and I like many different musicians. All of them represent and speak to different parts of myself. But my favourite band is all of me. The only band where I feel no part of me missing.

It sounds cheesy to say, but I achieve a lot of my esteem & self-value from this band. The times when I start to question my intentions, or when I am vilified, misunderstood or isolated – I go back to them, and I remember who I am.

I think back to when I was young & obsessed with the lead singer – how it went well beyond your typical teen infatuation – I didn’t want to have sex with him, I wanted to be like him. I absorbed what he was doing, and I wanted that for myself. I wanted to create my own version of that.

It was a band that achieved tremendous success, but even at its highest popularity was never beloved. That’s the mark of someone who truly sets their own rules. I was watching and paying attention… I wasn’t just listening to the songs & reading the words, I was learning how to carve a path of resiliance, endurance and independence. My favourite band taught me how to do this.

That’s the strength of music.

And even now, every day I go into my office at home & start the day with the music of this band, as nothing will ever inspire my own creativity more. The only problem is turning it off – walking away has always been difficult.  But I have no choice. It cannot function in the background for me; it is all-encompassing. It’s that Scorpion intensity, the all or nothing. I have to walk away to make my own things.

But I come back. Even the times when I stray for a while, experiment with other things – I come back. I’ll always come back. The great loves of my life can be counted on one hand. This is one of them.

sp

{ Comments on this entry are closed }